The palaces of Algiers’ Medina arouse a real interest in quality of architectural heritage inherited from the Ottoman period (Golvin 1988, Ravéreau 1989, Missoum 2003, Abdessemed-Foufa 2005, 2012, Vidal-Bué 2014, Piaton 2018), due to their architectural and decorative richness. Since 1992, they have been included in the UNESCO list of World Heritage Sites, along with the city where they are located (Fig. 1), by preserving their authenticity and their originality. However, scientific research on their decorative stones and the reality of its provenance, especially white marble, still remains a rarely explored field. For this purpose, this multidisciplinary study focuses on the ornamental white marble provenance of the Ottoman architecture of Algiers and its identification, in the aim to enrich the historical, technical and patrimonial knowledge about the Ottoman architecture of Algiers’ Regency, particularly its decorative elements in white marble.
Due to the economic richness of Algiers’ Regency between the 17th and 19th centuries, its Medina construction had known a large use of marble, which reflected the Ottoman wealth in Algiers. It was the most recommended material for various forms of use (Fig. 2), paving interior courtyards and stair steps, embellishing basins and fountains and decorating window frames, door pilasters, as well as the columns of patios and gardens (Golvin 1988, Ravéreau 1989, Chergui 2011).
The ornamental white marble in the ottoman architecture of Algiers: what source of supply?
According to scholars and historical sources, the marble industry seems to have been rarely established in Algiers’ Regency, to this end, considerable quantities of white marble were supplied from other countries (De Haëdo 1612, Shaw 1830, Fournel 1848, Chergui 2011). Undoubtedly, its position at the border of the Mediterranean encouraged the transportation of this heavy material from the northern shores, mainly from Italy, as gifts, maritime captures or simply orders, and transported from the ports of Genoa or Livorno to the ports of the Regency (Chergui 2011, Bouzid 2015, Vidal-Bué 2014, Eudel 1902). S. Chergui (2007) was provided with precious indications on the Italian origin of considerable quantities of marble used in the construction site of the New Mosque of Algiers (1656–1666AD). Thus, depending on their dimensions, the raw blocks of marble were either previously worked in the workshops of Carrara or finished on the construction site. Even in the Roman times, the marble industry was very little exploited on this land. Apart from the Filfila and Cap de Garde deposits, the import action was already practiced from Italie and Asia Minor towards North Africa (Shaw 1830; Pensabene 1982).
Although the provenance of this ornamental stone and its forms of supply are reported in some narrative sources
(De Haëdo 1612, Shaw 1830, Clausolles 1831, Estry 1845, MacCarthy 1830, Rozet 1833, De Paradis 1898)
, many uncertainties hover around it, thus requiring further research. Moreover, the marble reuse from the antique ruins deserves thus to be investigated, given that this form of supply was certainly practiced at the arrival of the Ottomans in Algiers
(Cresti 1982)
. As a proof, the first head of the Regency Khair Ed'din Barberousse, carried out the extension of the port of Algiers by the reuse of construction’s materials extracted from the Penôn
(Rang Des Adrets et Denis 1837, Estry 1845)
, even the construction of the first Ottoman religious and civil buildings (mosques or palaces) that was mostly based on the reuse of buildings and decorative materials brought from the nearest antique site of Rusgûniae
(Chergui 2011)
. During his visit to Algiers’ Medina around 1550AD, the French geographer Nicloas de Nicolaï, described the beauty of the royal palace galleries, which were supported by columns made from various types of marble, assuming that they came from the reuse
(De Haëdo 1612, Cresti 1982)
. In fact, the ornamental marble’s reuse by Ottomans was justifying by their fascination towards antique architectural elements. But also, they thought rarely to exploit the marble quarries, where they settled, so they considered the extraction and cutting of marble, and its transportation to the building sites, as complicated procedures that could hinder the political and geographical expansion of their Empire
(Vatin 2000)
.
However, there is wide historical controversy over the supply of white marble to the Algiers’ regency. As example, Charles Ferraud
(1877)
testified that the head of Constantine’s Province El Hadj Ahmed Bey, charged a Genoese Jewish merchant to supply marble from Carrara for the construction of his palace in 1821AD, while M.P. Clausolles
(1831)
confirmed that this head had achieved his palace just by reusing from the Roman vestiges, such as of Hippo-Regios, of Cirta or even of Tunis.
Ottoman archival data on the ornamental white marble supply in Algiers’ regency:
The trigger for this study came from the discovery of some indications about the ornamental white marble supply during our systematic exploitation of the Ottoman administration’s archives preserved at the Center of National Archives in Algiers (C.N.A). These archival sources offer first-hand information on the white marble supply in the studied period.
The examination on registers of import-export between Algiers’ Regency and several countries, even from Europe, dating from 1824 – 1825AD (1240AH), revealed evidence of the import of white marble in an order for products transported by sea from Genoa to Algiers (Fig.3). The order is inscribed at the end of an archive document (filed in the register: N° 308/ Beyt El Beylik/CNA), entitled as follows: "Declaration of sending money to --- Tābet Ben Tabbī with the ship of Mūssa ---, on the 23rd Rabīʽ al-thānū 1242 Hidjrī". The highlighted sentence is translated from dialectic Arabic as follows: " ---- With the above-mentioned money sent to this one for the purchase of goods by sea --- the money sent to Tabet Ben Tabbi from Mohamed ---- sixty Sultani -- of the goods sent bought by the above-mentioned money -- he buys me by these money stone (marble) columns from Genoa".
An additional examination on the Ottoman archives at the National Library of Algeria (B.N) was necessary, mainly on the register containing correspondences between the Ottoman provinces’ heads, such as of Cherchel and Algiers. The correspondence (filed under: N°15/Boite 3206/ Correspondances/Service manuscrits/BNA) sent by Kāïd M'ḥarūssat Cherchel (head of the province of the town of Cherchel) to the Waqīl al- Khardj (Minister of Foreign Affairs of the Regency of Algiers); in the end of Dhu al-Hijja in the year 1234AH/1826AD, attests the transport by boat to the port of Algiers for fourteen white marble columns taken from the ancient ruins of Caesarea, under the instructions of Yahya Agha [1] (Fig.4). The highlighted sentence in the correspondence inscribes the reuse action, translated from dialectic Arabic as follows: "We inform you about the marble columns that the ship brought with the cutter of the stones before and they are fourteen of our master Yahya Agha and we ordered the sculptors to put them back in shape..."
However, these various sources and historical studies are still insufficient to provide a definitive answer to the question of the provenance of white marble in the Regency of Algiers. Furthermore, in situ observation of certain architectural elements (columns or pilasters) in white marble from the surviving Roman remains at Caesarea reveals reshaped sections that undoubtedly date from the Ottoman period. However, the large size of these antique elements compared to those of the Ottoman ones makes it difficult to distinguish them from the Ottoman architecture of Algiers. At this stage of the study, it is not yet possible to be sure that these elements have been completely re-cut in the case of replacement and devoid of any antique sculpture (Fig.5).
In order to successfully identify the provenance of ornamental white marble in Ottoman architecture in Algiers, it is absolutely essential to proceed with experimentation. This allows us to convincingly eliminate all possible speculation.
Case study: the ornamental white marble of the Citadel of Algiers - Al-Qaṣaba -
The Citadel is a palace-fortress located in the upper part of the Algiers’ Medina; it is last evidence of the Ottoman presence in Algiers. It was constructed in the 16th century, as a defensive building characterizing by a purely military architecture. Until 1817-1830AD, where its conversion into a palace-fortress was accomplished due the construction of two palatial buildings by "Ḥuṣayn Bāshā", the last Dey of Algiers. Besides, archives register on the daily expenses of Algiers royal court, dated between 1817 AD and 1818AD, demonstrates an important expense for the supply of more than 30 marble blocks, 387 pilasters and 425 columns of white marble
(Khellassi, 2007)
. In addition the original military structures (barracks, powder magazine, bastions, Janissary quarter) and religious buildings (mosques), the palatial architecture can be seen through the Dey Palace (the palace of the sovereignty between 1817-1830AD) and the Beys Palace (the reception palace of the provinces heads of the Algiers’ Regency) (Abdessemed-Foufa 2012, Chergui 2017) (Fig. 6).
Such as all the Ottoman palaces in Algiers, these two palaces underwent several reconversion operations during the French colonization (1830-1962AD), undergoing a distortion to its architecture, notably to its decorative elements (destruction, disappearance). Since the 1980’s, they have undergone several restorations works, indeed the whole citadel, to ensure their conservation.
As in all the Ottoman palaces of Algiers, the provenance of the ornamental white marble used in the Citadel, particularly in its two palaces, remains unclear. We therefore choose this palatial complex as our focus of study. This choice is justified by the fact that the completion of work on these complex dates from the same period as the reuse and import actions recorded in the archival documents that we have examined (1824 – 1826AD).